FRONT & REAR PROJECTION
▸ OPERA® Creamy White OPERA® Creamy-White is our classic front and rear projection screen that was developed over 45 years ago in collaboration with Josef Svoboda, the famed Czech scenographer, for the Opera Garnier
in Paris, France. Still to this day, it is the standard that all other front and rear screens are measured against. It represents great value as it combines both front and rear projection as well as lighting possi- bilities that give the designer limitless choices for layering light and creating stunning visual images. It has a nearly even light distribution and no hot-spotting when rear illuminated. Applications include full stage illuminated and projected backdrops as well as good rear projected edge blending properties due to its rear gain of 0.32.
▸ OPERA® Grey Blue OPERA® Grey Blue has the same quality and char- acteristics as our classic OPERA Creamy-White but with a slightly cooler temperature. Its front pro- jection image quality is slightly less bright but the
viewing angle remains equally as good. As a rear projection screen, the gain (0.29) is slightly less than OPERA Creamy-White, but works very well in edge blending applications.
Flame Retardant Width: 80 Bolt Length: 70 yds 100% PVC
Price Per Yard Cut Bolt $65.00 $54.00
Flame Retardant Width: 80 Bolt Length: 70 yds 100% PVC
Price Per Yard Cut Bolt $65.00 $54.00
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3130 Projection Screensgerriets.us | 800-369-3695 | info@gerriets.us
Front Projection Gain: 0.77
Front Projection Gain: 0.49
Rear Projection Gain: 0.32
Rear Projection Gain: 0.26
Key
Viewing angle in degrees
Horizontal Gain
Product: OPERA Grey Blue Front & Rear Projection Screen Size: 30 high x 82 wide
Project: She Stoops to Conquer, National Theatre, London Designer: Mark Thompson
Lighting Designer: Neill Oston Stage Direction: Jamie Lloyd
Photo: Phillip Carter
Projection Screens ▸ FRONT & REAR PROJECTION