FRONT & REAR PROJECTION

▸ OPERA® Creamy White OPERA® Creamy-White is our classic front and rear projection screen that was developed over 45 years ago in collaboration with Josef Svoboda, the famed Czech scenographer, for the Opera Garnier

in Paris, France. Still to this day, it is the standard that all other front and rear screens are measured against. It represents great value as it combines both front and rear projection as well as lighting possi- bilities that give the designer limitless choices for layering light and creating stunning visual images. It has a nearly even light distribution and no hot-spotting when rear illuminated. Applications include full stage illuminated and projected backdrops as well as good rear projected edge blending properties due to its rear gain of 0.32.

▸ OPERA® Grey Blue OPERA® Grey Blue has the same quality and char- acteristics as our classic OPERA Creamy-White but with a slightly cooler temperature. Its front pro- jection image quality is slightly less bright but the

viewing angle remains equally as good. As a rear projection screen, the gain (0.29) is slightly less than OPERA Creamy-White, but works very well in edge blending applications.

Flame Retardant Width: 80 Bolt Length: 70 yds 100% PVC

Price Per Yard Cut Bolt $65.00 $54.00

Flame Retardant Width: 80 Bolt Length: 70 yds 100% PVC

Price Per Yard Cut Bolt $65.00 $54.00

2121 0000

2122 0000

3130 Projection Screensgerriets.us | 800-369-3695 | info@gerriets.us

Front Projection Gain: 0.77

Front Projection Gain: 0.49

Rear Projection Gain: 0.32

Rear Projection Gain: 0.26

Key

Viewing angle in degrees

Horizontal Gain

Product: OPERA Grey Blue Front & Rear Projection Screen Size: 30 high x 82 wide

Project: She Stoops to Conquer, National Theatre, London Designer: Mark Thompson

Lighting Designer: Neill Oston Stage Direction: Jamie Lloyd

Photo: Phillip Carter

Projection Screens ▸ FRONT & REAR PROJECTION